Artist Statement

There's a particular kind of scale you only understand from above — where a two-lane road, wide enough for cars, is reduced to a thread. The Descending Path is about that shift in perspective: standing at the canyon rim and watching a road that felt significant at ground level become almost incidental against the walls of Zion.

The switchbacks are the heart of the image. Each bend is a decision the road had to make — where the rock allowed passage and where it didn't — and together they trace something closer to a river's path than an engineer's line. I wanted the photograph to hold both truths at once: the immensity of the canyon, and the persistence of the thin, curling road that still manages to cross it.

This piece continues a body of work built from Southwest desert light — where haze, distance, and the compression of a long lens turn geology into something almost architectural.